“The artworks in Ruptures in Arrival: Art in the Wake of the Komagata Maru (2014), Yellow Peril (1991) and First Ladies (1991), Indigena and Land, Spirit and Power (1992) amongst other exhibitions, reveal the cultural wound. And through the reveal, the wound is being doctored and in turn, Canada is being doctored and is healing from its imperialistic racist past and present.”
Disfiguring Identity